It was Hall of Fame goalie Glenn Hall who probably described Richard's magnetism best. "What I remember most about the Rocket were his eyes," Hall once said. "When he came flying toward you with the puck on his stick, his eyes were all lit up, flashing and gleaming like a pinball machine. It was terrifying."

Roy will begin filming on the Maurice Richard project June1st and it should wrap by July 31st, 2005. Below is a bit of history about The Rocket. The film will focus on the year 1955.

Maurice Richard grew up in the tough Bordeaux section of Montreal and learned the game in the city's amateur system where he skated with teams such as Parc Lafontaine and the Verdun Maple Leafs. He also competed with the Montreal Royals before joining the Canadiens for the 1942-43 season.

His potential was obvious to coach Dick Irvin, and his talent helped reawaken a franchise that had been struggling for a few years. Richard scored his first NHL goal on November 8, 1942, against the New York Rangers. Irvin teamed him for the most part with Gord Drillon and Buddy O'Connor. He was enjoying a fine start to his career with five goals in 16 games when his debut was cut short by a broken ankle.

Richard scored 32 goals in 46 games during his first full season, then contributed 12 scores in nine contests to lead Montreal to the Stanley Cup over Chicago in 1944. This included the first of his three career record hat tricks in the finals. Teamed with Elmer Lach and Toe Blake on the dreaded Punch Line, Richard became the NHL's first 50-goal shooter in 1944-45. This feat was accomplished in 50 games, a performance that wouldn't be equaled until Mike Bossy did it in 1980-81. On December 28, 1944, Richard became the first player in NHL history to score eight points in one game. This remained the league standard until Darryl Sittler's 10-point night in 1976.

The Rocket went on to top the NHL in goal-scoring four more times in his career. He also gained a place on the NHL All-Star Team 14 consecutive times from 1944 to 1957, and eight of these selections were for the First All-Star Team.

During the 1952 semifinals against Boston, Richard was knocked unconscious by a check courtesy of Leo Labine. He was revived but remained in a semiconscious state when he scored the dramatic winning goal on Sugar Jim Henry. This became one of the moments that defined Richard's image in the minds of hockey fans across the league. On November 8, 1952, he scored his 326th regular-season goal against Chicago to surpass Nels Stewart as the NHL's all-time leader.

Maurice "The Rocket" RichardThe fiery temper that often inspired Richard to greatness caused him to spend a fair bit of time in the penalty box. This trait also caused one of the most notorious incidents in league history. On March 13, 1955, Richard was given a match penalty for deliberately injuring Hal Laycoe and punching linesman Cliff Thompson. A formal inquiry took place after which NHL president Clarence Campbell suspended Richard for the remainder of the season. This decision came when the Rocket was leading the NHL in scoring and the Habs were battling for first place in the standings. Needless to say, Montreal supporters were outraged. A memorable scene saw Campbell being pelted with eggs when he tried to take his seat at the Forum for a game against Detroit the following St. Patrick's Day. The crowd became so unruly that the game was forfeited to the Red Wings and the building evacuated. A riot ensued outside, causing $500,000 in damage and leaving some deep wounds, particularly among the francophone community.

On October 19, 1957, Richard beat Glenn Hall of Chicago to become the first NHL player to score 500 regular-season goals. The historic tally was assisted by future Hall of Famers Dickie Moore and Jean Beliveau. Richard was often at his best in the most important games. His six career overtime goals set an NHL record. In all, he played on eight Stanley Cup-winning teams in Montreal. Even when injuries slowed him down just before the end of his career, Richard's presence in the lineup inspired his teammates and helped them win their fourth and fifth consecutive championships in 1959 and 1960. During the late 1950s, he gained much satisfaction playing occasionally on the same line as his brother Henri. On March 20, 1960, he beat Al Rollins of the New York Rangers to score his 544th and last regular-season NHL goal. He scored his last playoff goal on April 12, 1960, to help Montreal take a three-games-to-none lead over Toronto on their way to a four-game sweep in the finals.

The Rocket retired after this last triumph and was elected to the Hockey Hall of Fame in 1961 when the customary three-year waiting period was waived. Richard remained visible in the Montreal area throughout his retirement. He served as the first coach of the WHA's Quebec Nordiques in 1972 but stepped down after two weeks because he didn't like the pressure and the fact that he was away from his family. Richard officially rejoined the Canadiens in 1980 when he agreed to represent the team at various public events. He craved a job in hockey but was never given the opportunity even after his recommendation to draft Mike Bossy in 1977 made him look a great deal smarter than many people might have given him credit for. Richard also worked as a representative for Molson Breweries and S. Albert Oil Limited.

Richard was a hero to hockey fans across Canada, but he attained godlike status in his native Quebec. In 1983, when the Montreal daily La Presse conducted a survey of the top men of the 20th century, Richard trailed only folk singing legend Felix Leclerc. On June 25, 1998, the NHL board of governors voted to honour Richard with a trophy in his name to be presented annually to the league's top goal scorer. The Rocket was on hand at the 1999 NHL Awards to present the trophy to its inaugural winner, Teemu Selanne. As the century came to a close, Richard battled cancer with the same determination that brought him so many admirers as a player, but he succumbed to his illness on May 27, 2000. He was given a state funeral that was broadcast across the country - the first time such an honour was accorded an athlete.

 

 

 

 

REGULAR SEASON

PLAYOFFS

Season Club League

GP

G

A

TP

PIM

+/-

GP

G

A

TP

PIM

1937-38 St-Francois-de-Laval Hi-School

 

 

 

 

 

 

 

 

 

 

 

1938-39 St-Georges Norchet QAHA

46

90

46

136

 

 

 

 

 

 

 

1939-40 Verdun Jr. Maple Leafs QJHL

10

4

1

5

2

 

4

6

3

9

2

1939-40 Verdun Maple Leafs QSHL

1

0

0

0

0

 

 

 

 

 

 

1939-40 Verdun Jr. Maple Leafs M-Cup

7

7

9

16

16

 

 

 

 

 

 

1940-41 Montreal Sr. Canadiens QSHL

1

0

1

1

0

 

 

 

 

 

 

1941-42 Montreal Sr. Canadiens QSHL

31

8

9

17

27

 

6

2

1

3

6

1942-43 Montreal Canadiens NHL

16

5

6

11

4

 

 

 

 

 

 

1943-44 Montreal Canadiens NHL

46

32

22

54

45

 

9

12

5

17

10

1944-45 Montreal Canadiens NHL

50

50

23

73

46

 

6

6

2

8

10

1945-46 Montreal Canadiens NHL

50

27

21

48

50

 

9

7

4

11

15

1946-47 Montreal Canadiens NHL

60

45

26

71

69

 

10

6

5

11

44

1947-48 Montreal Canadiens NHL

53

28

25

53

89

 

 

 

 

 

 

1948-49 Montreal Canadiens NHL

59

20

18

38

110

 

7

2

1

3

14

1949-50 Montreal Canadiens NHL

70

43

22

65

114

 

5

1

1

2

6

1950-51 Montreal Canadiens NHL

65

42

24

66

97

 

11

9

4

13

13

1951-52 Montreal Canadiens NHL

48

27

17

44

44

 

11

4

2

6

6

1952-53 Montreal Canadiens NHL

70

28

33

61

112

 

12

7

1

8

2

1953-54 Montreal Canadiens NHL

70

37

30

67

112

 

11

3

0

3

22

1954-55 Montreal Canadiens NHL

67

38

36

74

125

 

 

 

 

 

 

1955-56 Montreal Canadiens NHL

70

38

33

71

89

 

10

5

9

14

24

1956-57 Montreal Canadiens NHL

63

33

29

62

74

 

10

8

3

11

8

1957-58 Montreal Canadiens NHL

28

15

19

34

28

 

10

11

4

15

10

1958-59 Montreal Canadiens NHL

42

17

21

38

27

 

4

0

0

0

2

1959-60 Montreal Canadiens NHL

51

19

16

35

50

 

8

1

3

4

2

NHL Totals

978

544

421

965

1285

0

133

82

44

126

188

               Captures by Gayla

                 Roy and Remy

 

Memories of a Hockey Icon by Red Fisher

 

Maurice Richard stood in this hockey cathedral, tears streaming down his face as the noise grew and grew…minute after minute for 10…11 minutes …until there was no longer just noise in the Forum, but thunder engulfing it. Now and then, he would raise an arm… often both arms… pleading to the people…his people:

“Enough,” he seemed to be saying to them on this March 11, 1996, night, the night the building's lights would go dark forever. “Enough. I was only a hockey player.”

Richard, who died Saturday 27th of May, 2000 in his 79th year after a battle of more than two years with cancer, was much more than a hockey player. He was the first National Hockey League player to score 50 goals in a 50-game season among his 544 in 1978 regular-season games. He was the most intense athlete this game, this city, this province, this country ever has seen. He was everything that personified greatness. It was in this place—the Montreal Forum—he was to become an icon, a legend. He was, in every way, one of a kind.

His best years already were behind him when I started covering the Canadiens at the start of the 1955-56 season. By then, after 13 NHL seasons, he had lost a step. He carried weight he found increasingly difficult to lose. But now and then in his last five seasons, he was once again “The Rocket.” On those nights, there was no finer sight anywhere this game was played.

Richard's eye-snapping career numbers don't begin to describe what he meant to hockey in general and the Canadiens in particular. Winning at any cost was what he was all about. He was prepared to pay the price for every goal he scored, and no price was too high. He scored important goals, lifting spectators out of their seats everywhere in the six-team NHL, because he was as much The Rocket on the road as he was in Montreal. At any moment, anywhere, he could erupt with another big goal.

There was the night of March 23, 1944, when the Canadiens played host to the Toronto Maple Leafs in the second game of their best-of-seven Stanley Cup semi-final. Richard, who was to explode into full flower the following season when he became the first player in NHL history to score 50 goals in 50 games, had shown what he was all about that year. He had scored 23 of his 32 regular-season goals in his last 22 games. (A dislocated shoulder sidelined Richard for four games of the Canadiens' stunning 38-5-7 season, including a 22-0-3 home record.)

He would be getting special attention from the Toronto Maple Leafs on this March night, particularly since the Leafs had upset the Canadiens 3-1 in Game One two nights earlier. The Leafs' best defensive forward, Bob Davidson, drew the assignment. His instructions: go everywhere Richard goes. Don't let him out of your sight.

Richard couldn't shake loose from Davidson's clutch-and-grab tactics in the first period. Everywhere The Rocket went, Davidson followed, but Richard left the Leafs reeling with three goals in the second period. He added two in the third in what was to become the greatest individual performance in NHL playoff history. Maurice Richard 5, Toronto 1.

Until that night, no other NHL player had scored five goals in a playoff game. The Canadiens eliminated the Leafs with victories in the next three games and then swept the Chicago Blackhawks in four. He was to score 12 goals in nine playoff games that season. The Canadiens won their first Stanley Cup in 13 seasons, and the marvelous legend of Maurice Richard was born.

“He was a war-time hockey player,” one-time Canadiens general manager Frank Selke once told a reporter. “When the boys come back, they said, they'll look after Maurice. Nobody looked after Maurice. He looked after himself. When the boys come back, they said, they'll catch up with him. The only thing that caught up with Maurice is time.”

“When he's worked up,” said Selke, “his eyes gleam like headlights. Not a glow, but a piercing intensity. Goalies have said he's like a motorcar coming on you at night. He is terrifying. He is the greatest hockey player that ever lived. I can contradict myself by saying that 10 or 15 do the mechanics of play better. But it's results that count. Others play well, build up, eventually get a goal. He is like a flash of lightning. It's a fine summer day, suddenly…”

The Richard legend wasn't supposed to develop as quickly as it did. The fact is, some hockey people felt it would never happen. His bones were as brittle as peppermint sticks, some people  said. Injury-prone, they muttered. The problems started when he was invited to the Canadiens Seniors' training camp in 1940. He made the team, scored two goals in the first 20 games, suffered a broken wrist in his 21st, missed the rest of the regular season, but returned to score six goals in four playoff games.

The next season, 1942-43, was his first with the NHL Canadiens: this time he fractured his right ankle. Three major injuries in three years. Maybe, just maybe, his critics were right. Maybe, he was indeed too brittle to play in the NHL.

The Stanley Cup year erased those fears, followed by his stunning 50-in-50 season, a feat hockey fans and officials had thought impossible, a season that was remarkable in many ways. He failed to score in only 16 games. At no time did he go more than two games without scoring.

His best streak was during a nine-game stretch between Jan. 20 and Feb. 10 when he scored 14 goals. His worst came in the last 13 games of the season when he scored only seven. He didn't stop with his 50-goal regular season, adding six while the Canadiens were being upset in six games by the Maple Leafs in the Stanley Cup semi-final. Fifty-six goals in 56 games! His place in Canadiens history and in the hearts and minds of his people was now assured.

It has been suggested, and there's a valid argument for it, that Richard's passion for winning was the start of the French-English “thing” in Quebec. If he had been “only a hockey player,” his suspension for the final weeks of the 1954-55 regular season and the playoffs after getting involved in a savage, stick-swinging duel with Boston defenceman Hal Laycoe, would have been little more than a hiccup in NHL history and, by extension, Quebec's. Instead, it fanned the flames of a cultural revolution which went far, far beyond Richard, the player.

He meant everything to his people, on and off the ice. When he and the Canadiens won, they won. When the Canadiens lost, they lost. When the perception was that he was treated harshly by constituted authority, it was they, his people, who felt the pain and the anger.

Has it really been more than 45 years since that St. Patrick's Day morning in 1955? There was a hint of snow in the air, but nobody in Montreal was thinking about the weather on this day. The Detroit Red Wings were in the city, but the Canadiens would be playing without Richard. His people were in a foul mood. There was trouble ahead. You could sense it … breathe in the sour smell of it.

“Go to the Forum,” I was told by my sports editor at The Montreal Star. “Just hang around. See what's happening. See if Richard is there. Talk to Howe. Find out what he thinks about this business.”

'This business' was a city poised to explode because hockey's most electrifying player had been suspended for the last three games of the regular season and the entire playoffs. Richard had been in trouble with NHL president Clarence Campbell earlier that season, once for referring to the president as a “dictator” in an article ghost-written for him in a French-language newspaper, another time for butt-ending Toronto rookie Bob Bailey in the face. Worse, he repeatedly tried to renew his attack on Bailey and refused to leave the ice when ordered by the referee. Now, there had been an ugly, stick-swinging incident in Boston with Laycoe. There was also the matter of Richard striking linesman Cliff Thompson in his attempt to get at Laycoe.

Three days later and the day before the Canadiens-Red Wings game in Montreal, Campbell brought down the decision which shook the hockey establishment in general and Canadiens fans in particular. Richard, poised to win his first-ever scoring title, was suspended for the remaining three games of the regular season. He was also suspended for the playoffs. Gone was his opportunity to win his first scoring title. Also gone were the Canadiens' hopes in the playoffs.

President Campbell, who had been urged not to attend the game by mayor Jean Drapeau, had arrived at his Forum seat several rows above ice level roughly halfway through the first period. By that time, the Wings led 2-0. The moment Campbell was spotted settling into his seat, there were angry cries and threats from groups of fans. Now and then, eggs and tomatoes were thrown at the president, who sat in his seat staring straight ahead trying hard not to pay attention to the fires of anger and ugliness stoked by his appearance.

At period's end, a fan walked up several steps toward Campbell, offering to shake hands with the president. When Campbell reached for his hand, he was slapped in the face. Seconds later, a tear gas bomb exploded. The thick, yellow mass of smoke sent fans screaming toward the main lobby. People were choking, coughing and retching, their eyes streaming. Many yelled fire. The building was ordered cleared, and with the Canadiens trailing the Red Wings 4-1, the decision was made to forfeit the game to the visitors.

Even today, people remain bitter over the suspension which quickly developed into hockey's worst case of violence off the ice. In a matter of minutes, there was an outpouring of looting and burning. Cars were overturned. A mob of thousands shattered windows along St. Catherine Street. Thirty-seven adults and four juveniles were arrested. The wonder of it, though, was that nobody was killed on that black night which was to become known as the Richard Riot. The next day, a visibly shaken Richard, who had attended the game, sat behind a forest of microphones, pleading with the people, his people, to exercise calm.

Others could skate faster than Richard. Some could shoot harder and pass better. Nobody, however, approached his intensity from the blueline in. Nobody wanted to win more. Not Gordie Howe. Not Gretzky. Not Mario Lemieux. Not anybody.

He brought the entire package to the arena. He inflamed his people on and off the ice. He stirred their souls like no other player before him or since.

He was, after all, the Rocket.

http://www.oldtimershockey.com/players/richard.html

~:~

Maurice Richard biopic hits the ice
Filming starts Monday. Roy Dupuis plays Rocket alongside NHL notables
 
BRENDAN KELLY
The Gazette

                                                                                          
 

Roy Dupuis stars in the forthcoming biopic of Quebec hockey icon Maurice (the Rocket) Richard, but the Quebecois flick will also feature a number of National Hockey League stars, including former Canadiens defenceman Stephane Quintal and hotshot Tampa Bay Lightning centre Vincent Lecavalier.

At a news conference yesterday, Lecavalier said he was thrilled to be lacing up to play his idol, Canadiens legend Jean Beliveau.

"It's a great honour," said Lecavalier, who hails from Ile Bizard.

But he said it will be a challenge to play in the equipment that Richard and his teammates wore in the 1940s and '50s.

"Because of the skates, the players skated differently," Lecavalier said. "There's no support in the ankle. I think I'll ask them to give me the skates ahead of time and I'll practise with them."

Shooting begins Monday in Montreal on Maurice Richard, with Charles Biname (Seraphin: Un homme et son peche) directing based on a screenplay by Ken Scott (La Grande seduction), and Denise Robert and Daniel Louis (Les Invasions barbares) producing.

Dupuis has the title role, his second turn as the Rocket, following the 2000 Radio-Canada miniseries Maurice Richard: Histoire d'un Canadien. The film will chronicle Richard's life on and off the ice.

The late Canadiens right-winger played with the Montreal team from 1942 to 1960, becoming a hero in his home province thanks to his aggressive, emotional play and his scoring heroics. He was the first NHL player to score 50 goals in a season and the first to score 500 goals in a career.

The main hockey sequences will be shot in July at the Colisee in Quebec City. Biname said the Colisee is almost identical to the old Forum, and that the Bell Centre was out of the question as a shooting site because it has little in common with the Forum.

Other pro hockey players in the film include Ian Laperriere as Habs sniper "Boom Boom" Geoffrion and Mike Ricci from the San Jose Sharks as Richard's Punch Line colleague Elmer Lach.

Biname feels Maurice Richard is not a hockey movie but a portrait of a key person in Quebec's social history. Still, he wants to get the hockey scenes right.

"The hardest thing is going to be shooting the hockey games," Biname said. "I really want to make the hockey come alive. I want to make the audience feel what it was like for the players, to show that it was a real brutal sport."

Oddly enough, the film will be shot during the spring and summer months, with no winter shooting. That's because the producers are racing to have it ready for release on Nov. 25, in time for the Christmas box office rush. Robert acknowledged it is less than ideal timing, and said the movie is shooting now, and not last winter, because producers were waiting for the $8 million in financing to come together.

"We'll work with special effects for the outdoor scenes," Robert said.

Scott said he had to pick and choose what to use and what to leave out of the life of Rocket Richard, and he admitted some people may be surprised by some of the omissions, including the absence of Richard's brother (and fellow Canadiens great) Henri Richard.

Thank you Susan W :O)

http://www.canada.com/montreal/montrealgazette/news/story.html?id=615fd982-ce98-410b-ba97-fdaa8fee267b&rfp=dta

___________________________________________________________________________

translation by Gayla

Front Page: I'm paraphrasing

With Roy Dupuis

The production of a movie about the “Rocket” continues

 

A film anxiously awaited by all of Québec is currently filming: one about the life of Maurice Richard, the celebrated hockey player of the Montréal Canadiens.

 

The producer is Charles Binamé and the film has so far completed 23 days of filming.

Roy Dupuis, plays Maurice Richard, it’s the 3rd time he has put on the skates of the Rocket.

 

One of the last big scenes in the filming will be July 30th. Almost 30,000 people (extras) will fill the arena to recreate the huge crowds that gathered for Hockey in that era.

 

                                           http://lcn.canoe.com/lcn/artsetspectacles/cinema/archives/2005/07/20050704-203446.html   

    Thank you Susan W!!

 

    http://www.radiocanada.ca/Medianet/CBFT/TelejournalMontreal200507041730_1.asx
 

 

7/31/05 http://radio-canada.ca/nouvelles/Index/nouvelles/200507/31/001-maurice-richard.shtml

http://www.voir.ca/cinema/cinema.aspx?iIDArticle=37713

November 24, 2005


Blood on the ice
Lyle Stewart and Isa Tousignant
 

 


 

Dupuis as Rocket Richard: "He was a complex man, Maurice"

 

Rocket biopic colours history

Maurice Richard bled Canadiens red. And in the much anticipated eponymous biopic of the Habs legend from director Charles Binamé (Séraphin), there are long, loving shots of his rich crimson staining the crisp white of the Forum ice and la sainte flanelle alike.

The red stands out because Maurice Richard is a dark and moody film, part sports-idol biography, part political documentary of 1940s and '50s Montreal. History buffs will love the grainy black-and-white period shots of the city and its tramways, newspaper hawkers and the sea of fedoras crowding Ste-Catherine Street.
The politics of the time are equally black and white. We are introduced to the future Rocket (or "la comète" as he was initially known) as a doe-eyed 17-year-old rushing from his grinding job at a machine shop to the championship game at an outdoor rink because his evil anglophone boss kept him late as punishment for not stooling on a union activist.
Political issues pursued Richard throughout his career. Fuelled by the passion they watched Richard display on ice, the downtrodden Canadiens Français - yet to be Québécois - projected their hopes and dreams onto the Rocket, who was torn between his desire to play hockey, pur et simple, and the pressure to give voice to an emerging nationalism. Maurice Richard, the film, is equally torn between these poles.
The movie works best when it simply tells the story of how the legend of the Rocket was born, from his first kiss to (barely) making the big club,
 

to being named third, second and first star after a five-goal game.

Richard, as played by Roy Dupuis, is famously mute, preferring to let his play speak for him. Asked in English by a reporter for his reaction after surpassing Roy Malone's NHL single-season scoring record (44), Richard responds with a story-killing quote: "It is good."
Later, on the train back to Montreal, Richard is teased by teammates about his horrible English interview skills. He suffers a telling blow from Habs defenceman Butch Bouchard (Patrice Robitaille): "He's no better in French."
Richard finally chose to speak out against the bigotry of the league and its commissioner, Clarence Campbell, and as a result Richard became a lightning rod. At this juncture, Habs coach Dick Irvin Sr. (Stephen McHattie, of TV's Cold Case) plays a vital role. He exploits the "Frenchie" epithets of the anglophone press to inspire his players, especially Richard. But when the political fires burn too hot, he counsels his star player to cool down and apologize for blasting Campbell in print: "You're a hockey player. Play hockey!"
The pressure of being a target both on the ice and off is almost too much for Richard, and Binamé's lens zooms in close on his emotional struggles. Conversely, he treats the famous Richard riot, which in the film occurs shortly after Richard has a locker-room breakdown, almost as an afterthought. The focus here is sharp when it stays tight and personal; it gets fuzzier on the wide-angle sociological portrayal of cultural and political ferment.
More than 50 years later, language still bedevils this city, and Habs hockey still fires us up - that's why Richard is such a durable symbol. His state funeral at the Montreal Forum five years ago testifies to this. He was always more than a simple hockey player, whether he willingly accepted this expanded public role or not.
Maurice Richard poured his heart out for this city, in French and English. His passion added Habs red to the mid-20th century, which history, all too often, imagines in black and white. (Lyle Stewart)
Maurice Richard

 

Roy on the Rocket
In this province, Roy Dupuis is as iconic as you get. He's the personification of maleness in more Quebec films than I can list. He's perceived as a brooder, a deep dude, a silent type who only rarely comes out of his shell. The choice couldn't have been more astute, then, to cast Dupuis as Richard, the only man in Quebec history to outdo him both in acclaim and intensity.
Roy Dupuis He was a complex man, Maurice. It's a film that is important to me. It has historical importance, but also personal importance, since I knew Maurice Richard.
Hour I didn't realize you'd known him...
Dupuis Yes, I'd met him during the shooting of the television series [in which I also played him], and we'd pretty much become buddies. We really liked each other. It was a beautiful encounter.
Hour Was the political aspect of his statement important to you? In other words, are you proud to have worked on a film that made that statement?
Dupuis Well, it certainly is part of the character - you can't talk about Maurice without talking about what he represented for his people. Maurice was a public figure. Maurice was an icon, a man who practically involuntarily participated in the awakening of a people. He was also a product of that people, who had himself lived its injustices, and it's clear that it's something that was very much part of his character. He's someone who always fought injustice, on the level of hockey, because that was his domain, but at the same time what I find beautiful and important about the story is that it goes beyond sport.
Hour Do you think it will also go beyond Quebec? Do you think people in English Canada might be defensive about the statement the film makes?
Dupuis It certainly risks provoking reactions, but you can say what you want, it's part of reality - in my mind, it's fair. That was the situation for the little French Canadians at the time. They weren't masters of their own domain. They weren't bosses of their own domain; their bosses were the anglos.
Hour Have you ever experienced that yourself, in your own life?
Dupuis Not really... I lived a bit in Northern Ontario, but then again, you're in Ontario, so it's normal. But I've never really believed in a bilingual Canada. Bilingual Canada, in fact, is Quebec [laughs]. For the rest, sure, there are francophones here and there, but it's a bit of an illusion. Anyway, they can refute all they want, I think that everything that's in the film is fair.
Hour In fact, most of the big moments in the film are inspired from archives, from moments captured on film and on screens all over the country. What kind of research did you do to prepare for the role?
Dupuis Most of my work was grasping the energy of that man, understanding it and feeling it. He's someone I think I grasped pretty fast, pretty easily. I also had access to all sorts of archival footage, written documents, photographs.
When I was approached for the TV series a while ago, before he died, I didn't know Maurice Richard. He wasn't a hero of mine - I'm not at all of that generation. So you see that that's the importance of making a film like this, to show the impact that this man had on the history of Quebec, mainly, and on hockey for English Canada. Because you see it in the film, that he was loved in English Canada as a great hockey player. But for French Canadians, there was a whole other dimension - the one of an injustice, of a frustration, that resulted in the Quiet Revolution. (Isa Tousignant)
 

The Premiere at Place de Arts, Montreal

 

 

 

interview & film clipcaptures

by Lindy

 

 Biography of Maurice Richard with film clips

Some people call me Maurice: Roy Dupuis as Maurice Richard in The Rocket. Courtesy Alliance Atlantis.
Some people call me Maurice: Roy Dupuis as Maurice Richard in The Rocket. Courtesy Alliance Atlantis.

For Quebec hockey fans, only one thing could be more exciting than the return of the NHL after a strike year: the premiere of the Maurice “Rocket” Richard biopic The Rocket, which opened on 150 screens across Quebec on Nov. 25.

For Quebecers — in particular, francophone Quebecers — Richard holds a singular place in social and political history. He overcame physical difficulties (he broke an ankle early in his career) and prejudicial attitudes (the National Hockey League was run by English Canadians who had a clear disdain for predominantly working-class Québécois players) to become a hockey phenomenon. He helped make the Montreal Canadiens virtually unbeatable in the 1950s.

Given Richard’s life story — a classic underdog sports tale that intersects with politics — it’s surprising that it’s taken this long for the narrative to wend its way into cinemas. Directed by Charles Binamé (who helmed the massive Quebec hit Seraphin: Heart of Stone) and written by Ken Scott (Seducing Doctor Lewis), The Rocket, which grossed $600,000 in its opening weekend, is a hugely entertaining and invigorating bit of filmmaking. Granted, much of its style is predictable, particularly composer Michel Cusson’s musical score, which swells during the multiple climaxes to let us know when to cue the goose bumps. There are other disappointments — especially the largely dimensionless role Julie Le Breton is handed as Richard’s long-suffering wife.

But these are minor quibbles. For the most part, The Rocket is great fun, a beautifully shot, carefully rendered tale of a legendary sports figure. Quite surprisingly, its director confesses he’s not a big fan of the game. “I don’t watch it religiously,” Binamé confides. “I mean, I might watch the finals each year, if they happen to be exciting, in the same way I might watch the Rose Bowl if it’s a good match-up.”

What drew Binamé to a biopic about Richard was the rich drama of his life. “The day after Seraphin opened, I was sitting in [producer] Guy Gagnon’s office. Without even recovering his breath from Seraphin, he asked me if I wanted to do a film based on Richard’s life. I thought about it for a quarter of a second. I saw what it could be. I could see the energy his story could take on in film form.”

Binamé’s central casting call couldn't have been better. Roy Dupuis, iconic at the Quebec box office, delivers a commanding performance, bringing emotion to the role without crossing over into pathos. The fact that a household name like Dupuis plays Richard makes The Rocket something of a double whammy for Quebec audiences.

The Rocket opens with Richard, played as a young man by François Langlois Vallières, struggling to make ends meet with a wretched factory job. We are shown how Richard saw his life as a Québécois shaped by anglophone bosses; the owners of the factory are depicted as cold, unfeeling union-busters. When Richard’s hockey career begins, there are initial questions about his ability, with sports journalists casting doubt on his ability to overcome a broken ankle.

 

Two minutes for looking so good: The real Richard, circa 1954. CP Photo.
Two minutes for looking so good: The real Richard, circa 1954. CP Photo.

They were wrong, as The Rocket makes entirely clear. When Richard returned to the ice, his goal-scoring ability turned him into one of the great legends of Canadian hockey. Along with the success, however, came resentment, too often taking the form of prejudice. On the ice, anglophone rivals called him “French pea soup,” a taunt that infuriated the hockey star. The Rocket becomes a story not just of a sports star, but of a working-class hero and champion of the oppressed.

 

That Richard came to symbolize something more than just hockey excellence became clear in March 1955, when, after a bruising fight (in which he was taunted and eventually decked a referee), he was banned from playing for the Habs for the remainder of the regular season and that year’s Stanley Cup playoffs. His tormenter, an English Canadian, received no penalty whatsoever. The verdict was seen by the Québécois as a slap in the face from English Canada and led to a night of rioting outside the Montreal Forum. The moment is seen as a key turning point in Quebec’s Quiet Revolution.

“I didn’t want to demonize the English,” Binamé insists. “Rather, I wanted to show what we, the Québécois, have achieved since this time — how far we’ve managed to come. The film was not about being black and white. It’s about Maurice’s desire to express his own courage and difference. Resistance, after all, is about the creation of a hero.”

Binamé is quick to add that, while the film is being released in the midst of more talk of sovereignty and fallout from the Gomery sponsorship scandal, there was no way the people behind The Rocket could have foreseen the current mood. “We really didn’t think about today’s political situation when we were shooting the film,” he says.

Political issues and questions of national identity aside, Binamé manages to capture a great deal of the blood-and-sweat details of 1950s hockey — i.e. the pre-helmet era. “These guys were hurt all the time, it was routine. And they were exhausted. We talked a lot about [Ridley Scott’s] Gladiator. I really wanted to capture hockey the way Scorsese had captured boxing with Raging Bull.”

The Rocket has received almost unanimously glowing reviews from the Quebec press, as well as nods of approval from Richard’s children and his former teammates. The film will open in the rest of Canada in March, and Binamé is hopeful that, despite differences between English and French, the common language of hockey will entice filmgoers in other parts of the country to see The Rocket.

While Canada’s Governor General Michaëlle Jean has urged Canadians to see past the Two Solitudes, Binamé believes a “fire wall” still exists between French- and English-speaking Canada.

“I was invited to do a miniseries, H2O, in Toronto a couple of years ago with Paul Gross. And you know, I didn’t know who he was, I wasn’t familiar with his work. And he didn’t know who I was, and didn’t know my work, either. The fact is that our two realities remain very remote.”

The Rocket is now playing throughout Quebec.

Matthew Hays is a Montreal writer.

JAM interview  04-17-2006

Roy Dupuis to portray 'The Rocket' on the big screen
 
By -- Calgary Sun
 

 

During his 22-year career, Joseph-Henri Maurice Richard changed the face of hockey.

He was a major influence on the game, not just in his home province of Quebec, but in all of North America.

The Rocket, as he became known, is an NHL icon and one of Quebec’s most beloved heroes.

The task of playing Richard in the bio-pic The Rocket, which opens Friday, fell on the shoulders of Roy Dupuis, the actor best known in English Canada as Michael Samuelle, the hero of TV’s La Femme Nikita, a role he played for four seasons.

Dupuis, 42, has been one of Quebec’s most famous actors since 1990, when the TV series Emilie turned him into an overnight sensation.

“It happened for me in one day. I had been acting professionally on stage, TV and films since 1986 but no one really knew who I was.

“I could walk down any street in Montreal without being recognized,” says Dupuis.

Then came Emilie, which grabbed 4.6-millions from a province of six million people. The next day, Dupuis couldn’t walk anywhere without heads turning, fingers pointing or people asking for his autograph.

“It was scary. I was then and still am a shy person. I didn’t want the responsibility that came with that kind of exposure and that kind of acceptance, but I had no choice.”

Dupuis’ own experience with celebrity helped him understand what Richard went through until his death in 2000.

The two icons met in 1999 when the actor first portrayed Richard for a TV series.

“It was a great meeting that turned into a great but short friendship. There was an immediate connection,” recalls Dupuis.

“He opened up to me so completely. He said he agreed that I should be the person to portray him, which is why I agreed to do this film version as well.”

Dupuis says Richard was a simple man who had an intense battle going on inside him.

“Inwardly, he was a proud man, but felt he could not be proud outwardly. He felt his family and friends were not something to be proud of. That caused a deep conflict in him.”

The actor says Richard also “was a humble man to the very end. He always tried to deny he was or even deserved to be a symbol of hockey in Canada.”

Dupuis fights the same battle.

“You have to be so careful what you do and what you say because eyes and ears are always on you.”

“It is hardest for people like Maurice and me because we are not extroverts. Some people love the glare of celebrity. They thrive on it.

“Not us. That’s one thing I tried to emphasize about Maurice in my performance.”


http://jam.canoe.ca/Movies/2006/04/17/1537061.html


 

The Rocket a thrill of a movie, with Roy Dupuis capturing hockey history

 
Pierre Lebrun
Canadian Press
Roy Dupuis is seen in this scene of the film The Rocket. (CP PHOTO/ HO/ Alliance Atlantis)

(CP) - Roy Dupuis wept and he didn't know why.

Like many people on the night of March 11, 1996, the Canadian actor was moved by the ceremony commemorating the last game at the Montreal Forum, and by the long and heartfelt ovation reserved for Maurice (Rocket) Richard.

"I was at home watching that, it still moves me," Dupuis, a lump in his throat, said in a recent interview.

"You're talking about a 16-minute ovation. On TV. No one cut it. I had never seen that. I didn't know the guy yet, didn't know the real story. I remember thinking after that ovation . . . what just happened? Why am I crying?

"It's what we call in French l'inconscient collectif (the collective unconscious). Three-quarters of the people that were there never saw him play."

But they knew of the man, and why he meant so much to Quebecers.

The Rocket, a film by director Charles Biname and distributed by Alliance Atlantis, does a remarkable job of telling that story. A hit in Quebec after being released last fall, the English-language version of the movie hits theatres in the rest of the country starting Friday.

"This movie is going out in 150 theatres across Canada, that's never happened for a Canadian movie, never, it's like Maurice has done it again," said Dupuis, who stars as the Rocket.

The fact the French-language version of the film was warmly embraced in Quebec is no shock. After all, it's the story of a blue-collar superstar hockey hero who helped carry an oppressed French-Canadian society on his shoulders. Before the Quiet Revolution, there was Rocket.

"This guy gave pride to his people," said Dupuis, who first played the role of Richard for a Heritage Canada TV vignette and a 1999 miniseries. "At the time we were second-class citizens, that's what we were, that's the reality.

"And then this guy, at the right time, happened. He became the greatest in something that was accessible to everybody - hockey. And all those people who thought they were second-class citizens thought: 'Geez, we can be somebody.' And that's where it all started."

There are reminders throughout the film that being French wasn't a cakewalk in those days, from the fence that separated the poor French-Canadian fans from the elite (mostly English) of Montreal at the Forum during games, to Richard's tormentors - first the English factory boss, to Habs head coach Dick Irvin, and of course league president Clarence Campbell.

And the feeling among the players that a French-Canadian skater had to be three times better than his English counterpart to make the Habs.

"One of the concerns that Ken Scott (the script's author) and I had, was that we didn't want to demonize the English," Biname said during a recent press stop in Toronto. "There were a certain number of things that were irritating and frustrating, a certain of number of events that happened, and we just put them together.

"The interesting thing is that Dick Irvin, who's supposed to be the real bad guy in the story, because he pushes Maurice to the end, insults him, uses whatever at hand to make him go crazy - he's the one who has the vision for the man. He's the one, you realize through the film, who believes in him in spite of everything else. So you have a great character opposing the hero which is actually the one that makes him the hero."

Irvin is played brilliantly by Nova Scotia actor Stephen McHattie (most recently in A History of Violence). McHattie studied for the part by phoning up Irvin's son Dick Irvin Jr., a longtime Hockey Night In Canada broadcaster, and by reading books Irvin had authored on his father.

"His son quotes him in a book saying the worst part of the job was having to hurt the guys that he really loved," McHattie said in an interview. "He knew right away that the Rocket played best when he was angry."

The Rocket's life was too eventful for two hours so Biname had to choose where to start and end it. He starts with a 17-year-old Richard, bent on making it big in hockey while also supporting his family while working as a machinist.

Nowhere in the film do we see Henri Richard, the Rocket's younger brother who goes on to win 11 Stanley Cups with the Habs.

"Such a huge age difference," said Biname. "Maurice had left the house and was almost finishing his career when Henri came in.

"We had Henri in there for a while (in the original script), we had a line in there for him, and then I thought: 'It's a plug, it's not right.' I don't like that. If it's not going to serve the story, why do that."

The film builds up to the famous Richard riots of 1955, when Campbell suspended the Rocket for the rest of the season - including the playoffs - for assaulting a linesman during a brawl in an incident that was sparked when Boston's Hal Laycoe two-handed Richard on the head with a vicious high stick.

What helps sell the film is that Dupuis is no slouch on skates. He played hockey growing up and plays his own scenes in the movie. No stunt actors needed. And Dupuis doesn't look out of place.

Another nice decision by Biname is letting the characters speak in their native tongue, Rocket in French, Irvin in English, and so on.

French subtitles in the Quebec release last fall translated the English characters. Now English subtitles tell us what Rocket is saying. It keeps the movie real, because that's exactly how it was then. Dubbing the actors would have taken away from the realism.

The real test for Dupuis was pulling off the Rocket both on and off the ice, a task he took extremely seriously.

"I met Maurice many times when I did the TV series at first. He became a friend, he opened up to me," Dupuis said of the Rocket. "Because of the kind of man that he was, that meant he agreed to the fact that I was playing him. What happens when you have access to the person you're going to play, you become very intimate with him, because you're trying to understand him and get inside of him. I think we became very close. And then he died (in May 2000).

"So when they came up with the idea of doing a movie about him, it's like they told me they wanted to do a story about my best friend and they wanted me to play him. I said yes but I needed to read the script first and agree, I needed to see in that script the man I know. And that's pretty much what I saw."

© The Canadian Press 2006


NHLers have acting roles in The Rocket
 
By PIERRE LEBRUN
 

 


Los Angeles Kings' Sean Avery (left) hits Vancouver Canucks' Alexandre Burrows during an NHL hockey game. In the new film The Rocket, NHL bad boy Avery plays the role of Bob Dill, a rugged player who lasted only two years in the NHL and was called up to the New York Rangers - at least according to the film - to rough up Richard. (CP PHOTO/AP/Branimir Kvartuc)

(CP) - The Rocket stands alone when it comes to hockey movies.

The quality of the on-ice product resonates throughout the two-hour film, a biopic about legendary Montreal Canadiens star Maurice Richard.

And it stands to reason, given that modern-day NHL players are in the film, whose English-language release is set for Friday in theatres across the country.

Mike Ricci of the Phoenix Coyotes gets the most screen time, cast as Elmer Lach who played on the famous Punch Line with Richard and Toe Blake.

"I got a call out of the blue," said Ricci, who has no previous acting experience, but whose battered nose made him a good fit for Lach.

Ricci and 15 of his Coyotes teammates were treated to a private screening while in Columbus, Ohio, last month.

"When you're doing it, you really don't know how it's looking or what's going on," said Ricci. "W