The United States of Albert
Set photos by Santiago Barroso Alfaro provided by Ana María of Roy Dupuis Argentina and Gayla

Press release in English here
Translation of LaCronica.com article here
The United
States of Albert is a Canadian/French/Swiss production, directed by
Marc-André Forcier
Cast: Eric Brunneau, Roy Dupuis, Céline Bonnier and Emilie
Dequienne
Expected release date: Late 2004/Early 2005
~:~
The Montreal Film Journal
The American dream is as
old as America itself. The United States have always held a special place
in the fantasies of dreamers worldwide. The Land of the Free is especially
attractive to Albert Renaud (Éric Bruneau), a young French Canadian who
dreams of being the next Rudolph Valentino. He's been studying acting for
years with the great Jane Pickford (Andréa Férréol), not-so-innocently
seducing her into sharing her knowledge and recommending him to her niece
Mary, a silent film star and one of the founders of United Artists.
Unfortunately, their goodbye kiss is too much for Pickford's heart, so
Albert leaves for Hollywood with a guilty conscience – and the old
actress' ghost.
"Les États-Unis d'Albert" is a wonderfully old-fashioned road movie, a
period piece that's more whimsical than historical. The production design
is faithful to the looks and fashions of the 1920s, but the plot often
forgets about straightforward realism to take wild tangents. Albert spends
much of the film lost in the Arizona desert, appropriately dressed as
Valentino's Sheik. With a womanising professional golfer (Roy Dupuis, very
funny) at his side, he wanders through endless sand dunes, encountering
colourful characters like a sexy Mexican dancer and her creepy
"choreographer" (Marc Labrèche) and an asthmatic woman (Céline Bonnier)
whose husband lives in a boat on top of a pole. There's also a nice little
romance between Albert and Grace Carson (the always adorable Émilie
Dequenne), a militant Mormon feminist.
André Forcier, who wrote and directed the movie, is a unique creature in
Quebec cinema. While most of his colleagues are mostly concerned with
either navel-gazing auteur film or crassly commercial product, Forcier
dares to have vision and ambition. His latest is full of inventive mise en
scène and the screenplay is as clever as it can be absurd. The bumpy
storytelling and the stylized performances will turn off some people (I
saw a few critics walk out), but I'm glad there's still place for fantasy
and goofiness on our screens.
"I found this message for you amongst the remains of a pigeon struck down
by the jealousy of a man in a boat floating over the desert!"
"Here's some change, go take a bath at the Salvation Army."
3/29/2005
http://www.montrealfilmjournal.com/review.asp?R=R0000921
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